J. M. W. Turner
1775–1851 · 327 artworks · 16 museums
English painter and draftsman (c.1775–1851)
Where to see the works
Each dot is the museum where the work is on display. Works in the same museum share the exact same position.
All works by J. M. W. Turner
_-_Holy_Family_-_N00473_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Holy_Family_-_N00473_-_National_Gallery.jpg)
Holy Family
_-_The_Destruction_of_Sodom_-_N00474_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_The_Destruction_of_Sodom_-_N00474_-_National_Gallery.jpg)
The Destruction of Sodom
The Deluge
Fall of the Rhine at Schaffhausen
Sun Rising through Vapour
_Margate_-_c.1806-7_-_William_Turner_-_Tate_Britain.jpg/500px-(Barcelona)_Margate_-_c.1806-7_-_William_Turner_-_Tate_Britain.jpg)
Margate
The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides
Walton bridges
Cliveden on Thames
_-_A_Country_Blacksmith_Disputing_upon_the_Price_of_Iron%2C_and_the_Price_Charged_to_the_Butcher_for_Shoeing_his_Poney_-_N00478_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_A_Country_Blacksmith_Disputing_upon_the_Price_of_Iron%2C_and_the_Price_Charged_to_the_Butcher_for_Shoeing_his_Poney_-_N00478_-_National_Gallery.jpg)
A Country Blacksmith Disputing upon the Price of Iron, and the Price Charged to the Butcher for Shoeing his Poney
The Junction of the Thames and the Medway
View of Richmond Hill and Bridge
Fishing upon the Blythe-Sand, Tide Setting In
_-_Harvest_Dinner%2C_Kingston_Bank_-_N00491_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Harvest_Dinner%2C_Kingston_Bank_-_N00491_-_National_Gallery.jpg)
Harvest Dinner, Kingston Bank
_-_Ploughing_Up_Turnips%2C_near_Slough_('Windsor')_-_N00486_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Ploughing_Up_Turnips%2C_near_Slough_('Windsor')_-_N00486_-_National_Gallery.jpg)
Ploughing Up Turnips, near Slough (‘Windsor’)
_-_The_Garreteer's_Petition_-_N00482_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_The_Garreteer's_Petition_-_N00482_-_National_Gallery.jpg)
The Garreteer’s Petition
_-_River_Scene_with_Cattle_-_N01857_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_River_Scene_with_Cattle_-_N01857_-_National_Gallery.jpg)
River Scene with Cattle
_-_Somer_Hill%2C_Tonbridge_-_NG_1614_-_National_Galleries_of_Scotland.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Somer_Hill%2C_Tonbridge_-_NG_1614_-_National_Galleries_of_Scotland.jpg)
Somer Hill, Tonbridge
Saltash with the Water Ferry, Cornwall
_-_St_Mawes_at_the_Pilchard_Season_-_N00484_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_St_Mawes_at_the_Pilchard_Season_-_N00484_-_National_Gallery.jpg)
St Mawes at the Pilchard Season
_-_Dido_and_Aeneas_-_N00494_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Dido_and_Aeneas_-_N00494_-_National_Gallery.jpg)
Dido and Aeneas
_Apullia_in_Search_of_Appullus_1814_-_William_Turner_-_Tate_Britain.jpg/500px-(Barcelona)_Apullia_in_Search_of_Appullus_1814_-_William_Turner_-_Tate_Britain.jpg)
Apullia in Search of Appullus
_-_George_IV_at_St_Giles's%2C_Edinburgh_-_N02857_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_George_IV_at_St_Giles's%2C_Edinburgh_-_N02857_-_National_Gallery.jpg)
George IV at St Giles’s, Edinburgh
The Bay of Baiae, with Apollo and the Sibyl
_The_Lake%2C_Petworth%2C_Sunset%3B_Sample_Study_-_William_Turner_-_Tate_Britain.jpg/500px-(Barcelona)_The_Lake%2C_Petworth%2C_Sunset%3B_Sample_Study_-_William_Turner_-_Tate_Britain.jpg)
The Lake, Petworth, Sunset; Sample Study
_-_Shipping_-_N02879_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Shipping_-_N02879_-_National_Gallery.jpg)
Shipping
_Sketch_for_'Ulysses_Deriding_Polyphemus'_-_C1827-8_-_William_Turner_-_Tate_Britain.jpg/500px-(Barcelona)_Sketch_for_'Ulysses_Deriding_Polyphemus'_-_C1827-8_-_William_Turner_-_Tate_Britain.jpg)
Sketch for ‘Ulysses Deriding Polyphemus’
_-_A_Ship_Aground%2C_Yarmouth%2C_Sample_Study_-_N02065_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_A_Ship_Aground%2C_Yarmouth%2C_Sample_Study_-_N02065_-_National_Gallery.jpg)
A Ship Aground, Yarmouth; Sample Study
_Archway_with_Trees_by_the_Sea%3B_Sketch_for_The_Parting_of_Hero_and_Leander_-_c.1827-8_-_William_Turner_-_Tate_Britain.jpg/500px-(Barcelona)_Archway_with_Trees_by_the_Sea%3B_Sketch_for_The_Parting_of_Hero_and_Leander_-_c.1827-8_-_William_Turner_-_Tate_Britain.jpg)
Archway with Trees by the Sea; Sketch for ‘The Parting of Hero and Leander’
Rembrandt's Daughter
Mortlake Terrace
Dido Directing the Equipment of the Fleet, or the Morning of the Carthaginian Empire
_-_The_Loretto_Necklace_-_N00509_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_The_Loretto_Necklace_-_N00509_-_National_Gallery.jpg)
The Loretto Necklace
_The_Vision_of_Jacob's_Ladder_-_William_Turner_-_Tate_Britain.jpg/500px-(Barcelona)_The_Vision_of_Jacob's_Ladder_-_William_Turner_-_Tate_Britain.jpg)
The Vision of Jacob’s Ladder (?)
.jpg/500px-Joseph_Mallord_William_Turner%2C_Caernarfon_Castle_(1830-1835).jpg)
Caernarfon Castle
_-_Christ_Driving_the_Traders_from_the_Temple_-_N05474_-_National_Gallery.jpg/500px-Joseph_Mallord_William_Turner_(1775-1851)_-_Christ_Driving_the_Traders_from_the_Temple_-_N05474_-_National_Gallery.jpg)
Christ Driving the Traders from the Temple